PMWF5 Super 35mm 4K CMOS sensor compact CineAlta camera

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Sony 4K sensor for gorgeous, super-sampled HD and 2K

The PMW-F5 CineAlta camera shoots spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor. You get superior, super-sampled pictures with noticeably higher contrast, rich colour reproduction and greater clarity. The camera offers robust built-in recording modes, all with vibrant 4:2:2 colour. Irresistible options include the amazing precision of 16-bit linear RAW 2K/4K recording and high speed shooting at up to 120 fps without cropping.

Multiple recording formats includes HD/2K on SxS memory and 16-bit RAW 2K/4K on AXSM™ media

Multiple recording formats include MPEG-2 HD422, MPEG4 SStP*, XAVC 2K*/HD and 16-bit RAW 2K/4K**. You can have simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM™ memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras. There is also high speed shooting up to120 fps XAVC 2K/HD* internally and 120 fps RAW 2K onto the AXS-R5.

*Expected as a future upgrade.
** Recording onto the optional AXS-R5 recorder.

Lightweight modular design to maximise versatility in 2D and 3D

Super 35mm equivalent 4K single-chip CMOS sensor
Sony’s 4K image sensor enables a single camera to provide gorgeous, super-sampled HD and 2K while preparing you for the 4K future. With 11.6 megapixels (total) and 8.9 megapixels (effective), the Sony 4K CMOS sensor captures a true 4K 4096 x 2160 DCI-standard cinema image.

16-bit RAW 2K/4K recording options with bolt-on AXS-R5 recorder
Capture RAW at your choice of resolutions: the camera’s native 4K or beautiful, derived 2K. RAW recording preserves the greatest latitude for colour correction and other post processes. Sony’s 16-bit recording captures more tonal values than the human eye can differentiate. Sony RAW retains 16 times as many Red, Green and Blue gradations as 12-bit RAW and 64 times as many tones per channel as 10-bit recording. Sony’s 16-bit linear RAW is also the ideal point of entry into the 16-bit linear Academy Color Encoding System (ACES) workflow.

AXS-R5 records onto ASXM™ memory cards
The bolt-on AXS-R5 recorder records onto high-capacity AXSM™ memory cards, which are compatible with an affordable optional USB 3.0 reader, the AXS-CR1. Once on a PC, the RAW files can be screened using Sony’s free RAW Viewer software. AXSM memory provides a super fast, affordable format for sensational quality recordings.

Choice of HD/2K internal recording formats
The F5 CineAlta camera allows you a choice of internal recording formats in addition to 16-bit RAW 2K/4K recording output onto the AXS-R5. The camera incorporates high-speed SxS PRO+ memory card recording that allows the choice of: 8-bit MPEG-2 HD422, 50Mbps; 10-bit XAVC 2K*/HD 100Mbps; and SR Codec 10-bit MPEG4 SStP 220, 440 and 880Mbps*. All formats can be recorded at a range of interlace and progressive frame rates (see camera specifications for precise details).

*Expected as a future upgrade.

High speed shooting up to 120 fps 2K internally and 120 fps 2K RAW with optional AXS-R5 recorder
The F5 features high-data-rate on-board XAVC HD recordings up to 60 fps with a free planned upgrade to XAVC 2K/HD recording at 120 fps. It also offers 120 fps 2K RAW with the optional AXS-R5 outboard recorder and a planned upgrade, achieving the high frame rates, while retaining exceptional, 16-bit image quality.

* 1 GB equals one billion bytes, a portion of which is used for data management functions.

Simultaneous RAW and onboard camera SxS recording
Sony provides a coordinated “off-line, on-line” workflow with simultaneous recording to internal SxS cards and the optional AXS-R5 RAW recorder. For seamless conforming in post, you get matching time code, start frame, stop frame, file names and other metadata. The camera supports the following RAW + Onboard combinations: RAW 4K/2K + XAVC 2K*/HD and RAW 4K/2K + MPEG-2 HD422.

* Expected as a future upgrade.

Real world workflows
Sony understands a fundamental truth: working cameras require practical workflows. That’s why the F5 is part of a larger production platform that includes affordable media cards, affordable card readers, free RAW Viewer software and compatibility with popular NLEs and finishing tools.

Vast exposure latitude to 14 f-stops
The ability to render tones from deepest shadows to brightest highlights is a crucial test of any digital camera. The F5 excels, with an impressive 14 stops of exposure latitude, extraordinary low-light sensitivity and extremely low noise in the blacks.

Choice of viewfinders includes amazing OLED technology
A digital interface on the PMW-F5 allows for a variety of optional viewfinders, including the DVF-EL100.This 0.7-inch* viewfinder has the incredible clarity of 1280 x 720 High Definition, plus superb OLED brightness, contrast and response. The DVF-L350 3.5-inch* LCD viewfinder has higher resolution (960 x 540) than previous Sony viewfinders, plus ten times the contrast. And the eyepiece flips up for direct monitoring. The DVF-L700 compact 7-inch* LCD view finder enables high resolution when shooting in 2K and 4K, not to mention pixel-for-pixel 1920 x 1080 representation of your HD images.
*Viewable area, measured diagonally.

Optional shoulder rig
The optional Sony shoulder rig provides comfortable handheld operation, hour after hour. The rig is sturdy, lightweight and features industry-standard rosettes on both sides for quick and easy attachment of third-party hand grips and other accessories.

Small lightweight design for added versatility in 3D
The small size of the PMW-F5 is particularly welcome in stereoscopic 3D shooting. The chassis is only slightly wider than a typical PL mount prime lens, perfect for both mirror rigs and side-by-side configurations.